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Black Flag on stage in Berlin in 1984, with Greg Ginn on the left playing in the Greg Ginn guitar style and Henry Rollins at the microphone

Greg Ginn Guitar Style: Downpicking and Chromatic Solos

Greg Ginn guitar style is one of the most unusual sounds in punk. As the founder and guitarist of Black Flag, he combined relentless downpicked riffs with wild, chromatic solos that owed more to free jazz than to rock and roll….

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Chuck Schuldiner, the musician behind Chuck Schuldiner riffs, smiling outdoors on a beach in Scotland

Chuck Schuldiner Riffs: Tremolo and Chromatic Drills

Chuck Schuldiner riffs shaped an entire genre. As the founder, guitarist and singer of Death, he took the raw speed of thrash, added chromatic darkness and tremolo picking, and later turned it into something melodic and progressive. This post covers his…

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Vigier Excalibur electric guitars on a display stand, the model at the heart of Shawn Lane technique

Shawn Lane Technique: Legato Speed Lesson and Tempo Ladder

Shawn Lane technique is famous for one thing above all: astonishing legato speed that still sounded musical. The Memphis guitarist, pianist and composer played with a flowing, almost liquid style, built from groups of notes rather than single notes, and he…

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1930s Stella parlour guitar, the kind of cheap guitar that started Elizabeth Cotten picking style

Elizabeth Cotten Picking Style: Freight Train Lesson

Elizabeth Cotten picking style is one of the most loved sounds in folk guitar: a steady, rolling bass with a sweet melody floating on top, played by a left handed woman who held a right handed guitar upside down. She wrote…

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Sunburst Gibson ES 330TD hollow body guitar, the model behind early Grant Green guitar style

Grant Green Guitar Style: Horn Lines and Repeated Notes

Grant Green guitar style is jazz guitar played like a saxophone: one note at a time, almost no chords, deep blues feeling and a swing that never lets go. He was the house guitarist at Blue Note Records in the early…

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Black Dunlop Cry Baby wah pedal, the kind of effect at the heart of Eddie Hazel guitar style

Eddie Hazel Guitar Style: Maggot Brain Phrasing and Tone

Eddie Hazel guitar style is lead guitar played like a soul singer: slow bends that cry, wide vibrato, long pauses and a wash of fuzz and wah. His ten minute solo on Funkadelic’s Maggot Brain is still one of the most…

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Hubert Sumlin guitar technique on stage at the 2006 Sioux Falls JazzFest, picking an orange Telecaster style guitar with his bare fingers

Hubert Sumlin Guitar Technique: Fingerstyle Blues Licks

Hubert Sumlin guitar technique is the sound of a man who threw away his pick and found his voice: thumb and fingers, sharp lines dropped into the gaps of Howlin’ Wolf’s singing, and hypnotic one chord riffs that British rock players…

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Franco Luambo guitar style on show with OK Jazz in Brussels in 1961

Franco Luambo Guitar Style: How to Play the Sebene

Franco Luambo guitar style is the sound at the heart of Congolese rumba: no pick, just a thumb and forefinger plucking two note shapes that bounce around the beat. Franco led OK Jazz, later TPOK Jazz, for more than three decades…

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Wilko Johnson's black Telecaster with a red scratchplate beside a Fender Twin Reverb amp on stage in 2014

Wilko Johnson Guitar Technique: Rhythm and Lead Together

Wilko Johnson was the Dr Feelgood guitarist who made one Telecaster sound like a rhythm player and a lead player at once, with no pick. Learning Wilko Johnson guitar technique means learning a right hand that never stops, a left hand…

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Clarence White guitar technique on stage with his Telecaster at Kralingen in 1970

Clarence White Guitar Technique: Crosspicking and Bends

Clarence White was a bluegrass flatpicker who, in the words of Guitar World, built the bridge between country and rock on electric guitar in the late 1960s, all before he turned 30. If you want to learn Clarence White guitar technique,…

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